3 a.m. Eternal

"3 a.m. Eternal"

Pure Trance Original (005T) cover
Single by The KLF
Released

May 1989 (Pure Trance 2)
January 1991 (Live at the S.S.L.)

January 1992 (The KLF vs ENT version)
Format

12" (Pure Trance Original)
Cassette, 7", 12" and CD (Live at the S.S.L.)

7" (The KLF vs ENT version)
Recorded Trancentral
Genre House music
Length

5:55 (Pure Trance Original)
5:50 (Live at the S.S.L.)

2:43 (The KLF vs ENT version)
Label KLF Communications (UK)
Producer Drummond/Cauty
The song features Maxine Harvey on vocals
Drummond & Cauty chronology
"What Time Is Love? (Pure Trance)"
(1988)
"3 a.m. Eternal (Pure Trance)"
(1989)
"Kylie Said to Jason"
(1989)

"What Time Is Love? (Live at Trancentral)"
(1990)

"3 a.m. Eternal (Live at the S.S.L.)"
(1991)

"Last Train to Trancentral (Live from the Lost Continent)"
(1991)

"Justified and Ancient (Stand by The JAMs)"
(1991)

"3 a.m. Eternal (The KLF vs ENT version)"
(1992)

"K Cera Cera"
(1993)
Alternative covers
"Live at the S.S.L." cover
The KLF vs ENT's "Top of the Pops version" cover

"3 a.m. Eternal" is a song by The KLF, numerous versions of which were released as singles between 1989 and 1992. In January 1991, an acid house pop version of the song became an international top ten hit single, hitting #1 in the UK Singles Chart and #5 on the US Billboard Hot 100, and leading to The KLF becoming the internationally biggest-selling singles band of 1991. When, the following year, The KLF accepted an invitation to perform at the BRIT Awards ceremony, they caused controversy with a succession of anti-establishment gestures that included a duet performance of "3 a.m. Eternal" with crust punk band Extreme Noise Terror, during which The KLF co-founder Bill Drummond fired machine-gun blanks over the audience of music industry luminaries. A studio-produced version of this song was issued a limited edition mail order 7" single, the final release by The KLF and their independent record label, KLF Communications.

Contents

Origins

The original 1989 12" single release constituted the second of The KLF's "Pure Trance" series. There were two issues, numbered 005T (pink writing on a black sleeve, featuring two KLF mixes) and 005R (black writing on a pink sleeve, featuring four more mixes, including remixes by The Orb and The Moody Boys).

Stadium House version

A version heavily reworked for a mainstream audience, "3 a.m. Eternal (Live at the S.S.L.)", was issued in January 1991 and hit # 1 in the UK singles chart and # 5 in the US Billboard Hot 100. This version featured a rap by Ricardo da Force. The "S.S.L." in the subtitle refers to a Solid State Logic mixing desk. Although a lot of crowd noise features on the mix, it is in fact a purely studio-based creation. The seven inch version of this mix appears on the album The White Room. Concurrent with the chart-topping version, yet another 12" was released, featuring resolutely underground remixes by The Moody Boys.

Video

There are two video versions for the SSL Video, the American and the European. The American includes an opening with a travel through the mythical "Land of Mu Mu" where the KLF are performing inside a pyramid scenery with singers in a stadium. The European shows the KLF vehicle voyage with the Rapper Ricardo Da Force singing in the backseat and a rave showing at the background.

The KLF vs Extreme Noise Terror

In 1992, The KLF released a limited edition mail order only single containing a new version of "3 a.m." featuring the grindcore/crust punk band Extreme Noise Terror. The two bands also performed a live version of the song at that year's BRIT Awards ceremony. The Brits performance was garnished by a limping, kilted, cigar-chomping Drummond firing blanks from an automatic weapon over the heads of the crowd. After viewing the rehearsals, NME writer Danny Kelly said: "Compared to what's preceded it, this is a turbo-powered metallic wolf breaking into a coop full of particularly sick doves... And the noise? Well, the noise is hardcore punk thrash through a disco Techno hit played by crusties. All bases covered, brilliantly. Clever, clever bastards."[1] At the end of the performance, Scott Piering announced to a stunned crowd that "The KLF have now left the music business". Within a few months, they did just that - their records were deleted and The KLF retired from the industry.

Danny Kelly later described the Brits performance as The KLF's "self-destruction in an orgy of punk rock..., mock outrage ... and real bad taste".[2]

Reviews

The "Pure Trance Original" was described by Record Mirror as a "euro-flavoured deep house pulser" with atmospheric chanting and a "cathedral-like resonance".[3] In a January 1991 feature on The KLF, NME writer Roger Morton described the "Pure Trance Original" as a "classic club track" and the "Live at the S.S.L." version as "murderously powerful".[4] As Record Mirror 's "Single of the Week", the "Live at the S.S.L." version was regarded as "a magnificent pulsating beast combining bleeps and body heat".[5] Appraising the track retrospectively in 2000, The Guardian referred to the "Live at the S.S.L." version as an "epic pop masterpiece".[6]

Formats and track listings

"3 a.m. Eternal (Pure Trance Original)" was aired as a UK 12" single in May 1989. "3 a.m. Eternal (Live from the S.S.L.)" was given an international release as a single on 7 January 1991. A single of remixes by The Moody Boys was given a limited release a week later. In January 1992, a one-sided 7" single of The KLF's collaboration with Extreme Noise Terror was released via mail order only, from a limited pressing of 1000 copies.[7][8]

Format (and countries) Track number
1 2 3 4
Pure Trance Original
12" (KLF Communications KLF 005T) P B
12" (KLF Communications KLF 005R) p O M E
Live at the S.S.L.
7" single, cassette single l g
12" single (US) L G2 K W
12" single (elsewhere) L G
CD single (Japan) l G B W
CD single (elsewhere) l G B
KLF Present the Moody Boys Selection
12" single, CD single W R K
The KLF vs ENT version
7" single (limited edition of 1000 copies) T

Key

p - "3 a.m. Eternal (Pure Trance Original)" (edit) (3:38) g - "3 a.m. Eternal (Guns of Mu Mu)" (edit) (3:30)
P - "3 a.m. Eternal (Pure Trance Original)" (5:55) G - "3 a.m. Eternal (Guns of Mu Mu)" (5:09)
B - "3 a.m. Eternal (Break for Love)" (5:39) G2 - "3 a.m. Eternal (Guns of Mu Mu)" (12" version) (5:20)
O - "3 a.m. Eternal (Blue Danube Orbital)" (7:35) W - "3 a.m. Eternal (Wayward Dub Version)" (6:54)
M - "3 a.m. Eternal (Moody Boy)" (6:50) R - "3 a.m. Eternal (Rankin' Club Version)" (4:34)
E - "3 p.m. Electro" (5:58) K - "3 a.m. Eternal (Klonk Blip Every Trip)"[9] (5:48)
l - "3 a.m. Eternal (Live at the S.S.L.)" (edit) (3:42) T - "3 a.m. Eternal (The KLF vs Extreme Noise Terror: TOTP version)" (2:43)
L - "3 a.m. Eternal (Live at the S.S.L.)" (5:50)

Charts

End of year chart (1991) Position
U.S. Billboard Hot 100[10] 61

Notes and references

  1. ^ Kelly, D. "Welcome To The Sheep Seats", New Musical Express, 29 Feb 1992 (link)
  2. ^ Kelly, D., "Million Dollar Bash", Q, February 1994 (link).
  3. ^ Review of "3 a.m. Eternal (Pure Trance Original)", Record Mirror, 16 September 1989.
  4. ^ Morton, R. "One Coronation Under A Groove", New Musical Express, 12 January 1991 ([1])
  5. ^ Review of "3 a.m. Eternal (Live at the S.S.L.)", Record Mirror, 12 January 1991.
  6. ^ Poole, S., Review of Bill Drummond's book 45, The Guardian, 26 February 2000 (link).
  7. ^ Review of "3 a.m. Eternal (The KLF vs Extreme Noise Terror)", New Musical Express, 11 Jan 1992.
  8. ^ Longmire, Ernie et al. (2005). KLF discography Compiled by Ernie Longmire, this has been the authoritative KLF discography on the internet for some 10 years or more and has been the subject of long-term scrutiny and peer review by KLF fans and collectors. It is now maintained by the fan site klf.de.
  9. ^ The title "Klonk Blip Every Trip" is a corruption of the British road safety public information film slogan "Clunk Click Every Trip".
  10. ^ "Billboard Top 100 - 1991". http://longboredsurfer.com/charts.php?year=1991. Retrieved 2009-09-15. 
Preceded by
"Innuendo" by Queen
UK number-one single
2 February 1991 – 9 February 1991
Succeeded by
"Do the Bartman" by The Simpsons
Preceded by
"Let the Beat Hit 'Em" by Lisa Lisa and Cult Jam
Billboard Hot Dance Club Play number-one single
August 3, 1991
Succeeded by
"Deep in My Heart" by Clubhouse